RECLAIMING SPACE
MARISA MU X MONTANA MOORE INTERVIEW
Written by: Max Ohman
“Montana and I are here to rewrite the narrative of female artists in Australia where we have agency and a voice and having the backdrop of Machine Hall to do it is incredibly fitting. Here’s to Reclaiming Space” - Marisa Mu
Artists, Montana Moore and Marisa Mu are joining forces for a collaborative exhibition from November 21st - 23rd in Machine Hall. Montana, known for her multi-dimensional work, blends painted and sculptural forms, creating immersive pieces that evoke moments in time through rich textures and dynamic layers. Marisa, who divides her time between Melbourne and New York, delves into themes from queer expression, intersectional feminism, and the Asian diaspora. Her work is colourfully spontaneous and deeply rooted in her heritage.
What is your morning routine (be honest).
Montana: Honestly, it varies depending on whether I have a show coming up. When it's pre-show madness, my routine tends to go out the window. I’m lucky to live in Manly, so I usually start my day with an hour-long sunrise walk in the bush areas, taking a moment for mindfulness and planning. But recently I’ve been so engulfed in my practice (ADHD Hyperfocus) that my routine has just been getting up, going straight to the studio to work, and then heading home to sleep.
Marisa: I am a relatively ritualistic person in the mornings and need to make my percolator coffee on the stove, look over my To-Do List and pack my lunch haha. These are important practices I have to do in order to ground myself for the day. Similarly to Mon, our livelihoods are being artists and we are incredibly committed to our practice - when there are shows coming up like this, it’s a solid 12-16 hr day in the studio so setting yourself up for a good day is paramount.
With such distinctive art styles, Why did both of you decide to collaborate for ‘Reclaiming Space’?
Montana: Marisa and I crossed paths many times both showing at various Art Fairs. This year we showed together in collaboration with other artists which gave us time to get to know one another. I saw many traits of Marisa that aligned with my own, which in all honesty can be a difficult thing to come across, aligning with someone morally and professionally.
I had planned to hold my own self produced solo show this year with the aim to challenge myself and take control of my own path and narrative rather than following a traditional route, I really wanted to use it as an opportunity to celebrate overcoming a deeply difficult personal year for me last year.
After realising Marisa and I were connected and on the same wavelength about our aspirations, careers & personal journeys, it seemed like an obvious decision to collaborate together.
Though our styles are different, I genuinely love and admire Marisa and her work, and who we are as people complements each other. In what can be a competitive world, I see it as two women supporting and uplifting each other, making our contrasting styles harmonious.
Marisa: I honestly was so chuffed and honoured when Mon reached out to me to co-produce a major showcase together. As Mon mentioned, our friendship really developed from collaborating for Art Fairs this year and every time we had a candid moment or a big win, we both really saw each other and the care and compassion this woman embodies made me feel like anything was possible.
Our art styles are representative of our own lived experiences but fundamentally are cathartic avenues for self expression and the deep commitment we both have for art is what binds us and enables us to work so seamlessly together. She is one of the hardest working people I have ever met and it is a privilege to do this with her.
What is the inspiration behind ‘Reclaiming Space’? Why is Machine Hall fit for this exhibition?
Montana: Reclaiming Space emerged from our shared desire, as two women, to take control of our narratives, happiness and futures. We're reclaiming traits like strength, grit, and bravery, qualities traditionally associated in the male domain, as our own.
Machine Hall embodies the concept of reclamation by reimagining its industrial past into a beautiful, dynamic venue. This aligns with our exhibition’s goal to challenge conventional norms, as we didn’t want a typical gallery setting but rather a space that symbolises transformation and empowerment.
Marisa: Machine Hall is a sacred space where you walk in and can feel the history, can feel the change and evolution. I am a romantic and feel deeply connected to Sydney as that's where I was born and bred, and despite showing my work all over the world, it is truly special that Machine Hall exists to foster such an incredible curation of public programs.
Montana and I are here to rewrite the narrative of female artists in Australia where we have agency and a voice and having the backdrop of Machine Hall to do it is incredibly fitting. Here’s to Reclaiming Space.
Are you drawn to certain colours and mediums? Why do you work with the colours/textures that you use?
Montana: The colours I use often change, mostly inspired by my surrounds, emotions or nature. It’s never a conscious choice. What is consistent in my work is a love of blending sculptural and painted forms, I am fascinated at how light and shadows can completely change a piece and I love observing these changes throughout the day.
I usually have a clear vision before paint touches the canvas, as the materials I work with require precision—there’s little room for rework. This finality demands intention, and though my process is technical, the results are never certain.
Layers of color and texture often surprise me in ways I can’t predict. Ironically, for someone who’s a planner, this unpredictability is where I make bold decisions, embracing the flow state as moments of pure discovery.
Marisa: I am definitely a ‘more is more’ kind of person and the more colour and vibrancy there is, the happier it makes me feel.
I rarely use black or darker tones, unless I feel it needs that to balance out a piece. I would be lying if i said I wasn’t obsessed with pinks, blues and creamy tones, a gradient gives me so much joy, I just love the emotive power of colour. Textures and mix media is something I adore integrating within my abstract pieces and the more contrast and intensity there is - the more gravitational pull I feel towards the piece itself and to who I am at my core.
I am an intuitive painter and never plan my pieces, I allow them to show themselves to me as I apply the paint on and build onto it, every piece is a journey into self and discovering, unraveling and unpacking so much simultaneously until we reach the point of knowing it is complete. What a beauty it is to listen to your creative soul and allow it to speak through you - this is the power of art.
I imagine you haven’t gotten to where you are now without experiencing the struggles of being a young artist. Is there a moment or experience during this period that influenced your career?
Montana: I’d love to say there was a single defining moment, but the truth is, it’s been more of a gradual journey. Aside from the pivotal decision to leave my career in financial project management, every moment since choosing this path has been fuelled by really hard work and inherent drive. I understand that I've been fortunate in many ways, but I also know this path is full of complexities and challenges.
Each new collection is a rollercoaster of financial and emotional investment, often bringing self-doubt and imposter syndrome. My mental health took a hit in 2023 due to factors outside of my practice, which nearly broke my career. But pushing through those moments has taught me resilience and reminded me how hungry I am to continue having the privilege to be able to paint every day.
Marisa: I have worked incredibly hard the past 7 years to sustain being a full-time artist. The fuel that keeps me going is understanding innately that it is in my blood to be an artist. My mother passed away when I was 19 and she was a self taught oil painter, a refugee from East Timor. My fondest memories of her was growing up watching her paint for herself and I am in a position now where I can and will platform for marginalised voices, specifically migrant, asylum seeker and refugee women and the LGTBQIA+ community.
I am proud of myself for finding my own pathway as there is no linear formula to make a career out of being an artist, especially when you’ve come from a lower socioeconomic background, it’s always felt like I was an underdog or a token and now I feel empowered by where I came from. I am eternally grateful for the people that have resonated with me and my story and work, I wouldn’t be here without them.
Are you able to share a bit about what it was like in those periods of struggle, what goes through your head and how do you find that motivation to keep moving forward?
Montana: These dark periods can be overwhelming, with negative self-talk or comparison taking over. For me, it nearly made me quit. What kept me going was partly stubbornness but mostly inherent absolute love for what I do. Over time, setting routines for my mental and physical well-being, as well as my practice, helped me regain momentum. My advice to other artists is to prioritise self-care because your journey and career are part of who you are. When it comes to a passion, also being a business, think outside the box and get your work out there, even if it means taking terrifying risks. Without a shadow of a doubt, if it scares you, do it.
Marisa: It’s not easy. I have come to be comfortable with being uncomfortable and you must be willing to ride the waves of insecurity, agency, self doubt, affirmations and all the rollercoaster feelers of trusting yourself enough to be brave enough to listen to what you want, and to go for it. Those negative spirals are experienced by everyone, whether you are creative or not, and imposter syndrome is no joke. Whenever the thoughts creep in, I talk aloud to myself and tell the thoughts that I will not be dictated by self doubt or fear and that I would rather die trying my best, than not trying at all.
I admit that I wouldn’t have cultivated all the opportunities, art sales and connections if I hadn't gone all in after working 15 years in retail management to do my art full-time. I quit my full-time gig at 27 and gave myself a probation period of 3 months to make magic happen. I had just enough to cover rent for that period and was producing so much work because I felt so driven by my dream of finally being able to be a full time artist. When the Art Fair came around within 3 months, I was a bull at the gate and backed myself and was brave, standing alongside my work and being constantly affirmed by art enthusiasts and collectors, I couldn’t believe how many people wanted to connect with me and my work. Put yourself out there in a way that scares you. You will be rewarded in ways you never know. People gravitate towards honesty, bravery and authenticity. Lean in.
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‘Reclaiming Space’ runs from the 21st - 23rd November at Machine Hall
To secure your spot visit this link: https://www.mm-x-mm.com/rsvp